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 Volume III |
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The Abraaj Capital Art Prize (ACAP) 2008 |
Reem Fekri |
| The use of text, sock sound, still images and footage in the artwork of two contemporary Middle East video artists: Akram Zaatari (Lebanon) and Mounir Fatmi (Morocco). full essay |
Khaled Hafez |
| Whispered Secrets, Murmuring Dreams: Early Dynamics of How Iranian Art is Establishing its Roots in UK Contemporary Art Market full essay |
Janet Rady |
| Artists’ Books in the Practice of Some Contemporary Egyptian Artists Working Today: A Retrospective Review full essay |
Wael Darwish |
| Report on Art-Paris Abu Dhabi: Contribution to a Cultural Landscape full essay |
Emily Doherty |
| Corporal Representation in the Arts in Egypt: Review of Progress Over Three Decades full essay |
Kholoud Khalifa |
| Elaborations on the New Image: 7th African Encounters of Photography, Bamako 7éme Les Rencontres de la Photographie Africaine full essay |
Aura Seikkula |
| Exploring in the Realms of Kistsch: Kitsch Art versus Social Kitsch in Some Contemporary Syrian Practices full essay |
Victoria Ambrosini |
| The Practice of Huda Lutfi: Umm Kulthum, Icon of Resistance and of a Nation full essay |
Collaborative Authorship |
| Arab-American Art: Identity, Cultural Expression, and Politics full essay |
Maymanah Farhat |
| Palestinian Conceptual Art Emily Jacir, Shifting to an Art that Engages the Mind of the Viewer. full essay |
Steve Sabella |
| Report on Art-Paris Abu Dhabi: Contribution to a Cultural Landscape full essay |
Emily Doherty |
| Arabesque: Graphic Design from the Arab World and Persia Recent groundbreaking creative work from and inspired by the Arab World and Iran. Editors: Ben Wittner, Sascha Thoma, and Nicolas Bourquin. full essay |
Bahia Shehab |
| How Does it Feel to be a Problem? full essay |
Aida Eltorie |