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 Volume II |
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| Made in Cairo: Time and Time Again An Overview on Three Contemporary Practices from Cairo: Shadi El Noshokaty, Tarek Zaki and Ayman Ramadan full essay |
Fiona Fox |
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| Landscape of Evil:Current landscape of evil exceeds representation full essay |
Aura Seikkula | |
| Museum as Hub: The New Museum of Contemporary Art in New York City full essay |
Aida Eltorie | |
| Khaled Hafez: The Art of Dichotomy full essay |
Jessica Winegar | |
| Fundamental Process: Charif Benhelima full essay |
Daniella Géo | |
| GIVING THEM ENOUGH ROPE:The Works and Practice of New York-Based Egyptian full essay |
Hamdi Attia | |
| Idlers’ Paradise Exploring the Mixed Practices of Two Middle East Contemporary Artists: Khaled Hafez (Egypt) and Diana El Jaroudi (Syria) full essay |
Martina Corgnati |
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| All Clear? Contemporary Art from Egypt full essay |
Christa Benzer | |
| Contemporary Art in Morocco and the Morocco of Contemporary Art full essay |
Mohamed Rachd | |
| EXPLORING THE CONTEMPORARY MIDDLE EASTERN ART MARKET: THE RECENT SALES AT SOTHEBY’S IN LONDON AND CHRISTIE’S IN DUBAI full essay |
Janet Rady |
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| NEW NAME - NEW IDENTITY: Thoughts on the Rising Interest, Potential, History and Dynamics of ART DUBAI 2008 full essay |
Judith Greer | |
| Dubai and Other Regional Avatars of the Art Boom full essay |
Victoria Ambrosini | |
| Made In Egypt: The First International Townhouse Contemporary Art Auction full essay |
Fiona Fox | |
| Memories from the East: On the Way to Muenster full essay |
Hazem Taha Hussein | |
| State of the Art: A Research on the Situation of Contemporary Arab Art today full essay |
Karin Adrian Von Roques | |
| The Case of Sharjah: A biennial among others, or one redefined to be like no other? full essay |
Martina Corgnat | |
| Contemporary Paparazzi: a new discipline in contemporary performances and practices full essay |
Sherif Awad | |