Lee Ann Biddle
Lee Ann Biddle attended University of Miami and received her
BA in Art History with a double minor in Sociology and Legal
Studies. In 2008, she completed her MLitt in Early European
History of Art and Connoisseurship at Christie’s Education,
London with the dissertation, ?Two Outsiders’ Understood
From Within, A Study into the Janiform in Classical Greek Art
with Observations of Plastic Vases, Jewellery, and Bronzes’. She
has since worked in various London commercial art galleries
promoting the talents of emerging conceptual artists. In 2011,
she relocated to Dubai to work with a private art foundation and
collection. She has written ?Chants From Paradise, A Selection of
Safavid Carpets from The Farjam Collection’, the Contemporary
Practices article, ?An Iconic Face, An Empty Chair: The Evolution
of Motifs in Safwan Dahoul’s Ever Expanding ?Dream’ Series’,
and acted as a contributing writer and copy editor to ?Jazz From
Paradise, Miri Creation Contemporary Carpet Masterpieces from
The Farjam Collection’, as well as the exhibition catalogue, ?The
Samawi Collection II’. She resides in the United Arab Emirates.
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Author Essays
The Wrong Women of Afshin Pirhashemi
Full Essay
| | An Iconic Face, An Empty Chair: The Evolution of Motifs in
Safwan Dahoul’s Ever Expanding ‘Dream’ Series
Full Essay
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