|
|
|
|
|
 Volume XIV |
||
| Essay | ||
| Barbarians instead? - Fragile dichotomy at the 13th Istanbul Biennial 2013 full essay |
Zoltán Somhegyi | |
| A Study In The Relationship of Art to The Society full essay |
Dr. Heba Al Hawary | |
| From the regional to the global market - MENASA artists in Western galleries full essay |
Zoltán Somhegyi | |
Meditations at The British Museum |
Dr. Rima Chahrour | |
| Interviews | ||
Mahmoud Obaidi and Abdellah Karroum: A Dialogue |
Dr. Abdellah Karroum | |
Image as witness - Archeology of the past: Interview with |
Wafa Gabsi | |
| Profile | ||
1440 Decisions to Look - Insight into Roberto Lopardo's |
Mark Durant | |
Mohammed Omar Khalil: 50 years of Printmaking |
Arabic Text by : Charbel Dagher, Lebanon, 2013 |
|
Farouk Hosny: In Conversation with Khaled Hafez |
Khaled Hafez | |
Reda Abdel Rahman: an artist inspired by the ancient writings |
Rowan El Shimi | |
Cristiana De Marchi Practice |
Simon Coates | |
The world of Saddam Jumaily |
Amel Mekawi | |
"Elements of Subjectivity" - The Practice of Zahoor ul Akhlaq |
Camilla H. Chaudhary | |
The World of Qinza Najm |
Mark Bloch |
|
Faiza Butt: Tales of Whopped Fantasies |
Meagan Kelly Horsman | |
Babur Ismailov: Profile and Full Face |
Nigora Akhmedova | |
| Studio Practices - Egypt | ||
Ahmed Badry: Fascinated by the Temporary Solutions |
Hania Moheeb | |
Ahmed El Shaer |
Hania Moheeb | |
Ahmed Kassem |
Hania Moheeb | |
Ahmed Nagy |
Hania Moheeb | |
Aya El-Fallah Working and Searching |
Hania Moheeb | |
Sameh Ismael And Calligraphy was the Entryway |
Hania Moheeb | |
Shaimaa Kamel, Warmth of the South and Boldness of a Rebel |
Hania Moheeb | |